OPTICAL SYSTEM
CV Engineering × Film & TV
I work in the intersection of computer-vision engineering and film & TV — building vision systems that detect, restore and track, and deploying them on real productions.
I shoot it, then I teach the machine to see it.
MOD_01 / VISION
Custom CV models, image restoration and real-time tracking — built for jobs off-the-shelf software can't do, then deployed or licensed to your team.
MOD_02 / PRODUCTION
Camera and live broadcast — studio, events and field. Solo or as part of a crew.
MOD_03 / DEPLOY
Putting vision systems to work on real shoots — where the model meets the rig, the deadline and the deck.
YOLO subject detection driving Panasonic AW PTZ cameras through Bitfocus Companion. The camera finds the subject and re-centres itself — no operator. Computer vision deployed on live broadcast hardware.
Fine-tuned Real-ESRGAN restoring physical magazine scans. A custom dark-weighted loss protects ink lines off-the-shelf upscalers smear away. In production use.
Composites, greenscreen, motion tracking and practical effects on the short films På Flaskens Bund and Hyggeligt — where production craft meets computer vision.
Camera shading (CCU), live multi-cam studio and field, and producing — idea to transmission. Broadcast technician with Gear Guys (Tivoli Congrescenter, festivals); live TV at Christiania TV.
Videographer for a 48-hour film competition — documented end to end, edited, and set up and ran the livestream. A real test of solving problems with the kit on hand.
Title design, subtitles and end credits for a generational-portrait documentary that premiered at CPH:DOX 2025.
Always building. These live in the lab — kept off the main feed so the vision work stays in focus.
Start a project
I build computer-vision tools for production — autonomous camera tracking, image restoration, compositing solves — and deploy or license them to AV and broadcast teams. Or bring me on set as a technician. Tell me what you're making.